Following a documentary on the band, Martin Cloake writes about Squeeze.
Take Me I’m Yours was the latest in what’s proving to be a well-crafted series of documentaries on early 1980s bands, and this one on Squeeze topped even the superb recent Undertones episode. I’ve been a huge fan for years, and I’ve never understood why the band are so often dismissed as pop/pub band candy floss.
I can remember standing with my schoolmates outside a church in Bounds Green, having been told to queue up to get homework during a teachers’ strike in the early 1980s. If you wanted to look cool at the time, you could reel off all the words to Cool for Cats, which was Squeeze’s current hit evoking a Sweeney-like world of coppers and villains in London. These were London boys singing about London things in accents we identified with and although there was something of a novelty appeal about the single – and about the way the tune was marketed – we also sensed there was something more to it. The lyrical dexterity that has attracted thoughtful kids to well-crafted pop music for ages was on display early on. Continue reading…