Archived entries for Uncategorized

Nothing to Lose

In a blow to the press, a 24/7 sports news channel, website aggragators and talk radio, Harry Redknapp said at the weekend he will no longer talk about the England job until there are any further substantial developments. Redknapp is a good speaker, whether telling an anecdote from his rich history in the game or just expressing a range of thoughts out loud. It can be hard at times for supporters of his club, as well as his employers, when he is sometimes too open – unwisely publically critical of his own players, defensive (and sometimes offensive) about his own club’s fans, and just giving out sound bites to hacks at feeding time – but he is usually entertaining to listen to, with constant analysis of a number aspects of football in a conversational and thoughtful style, more captivating than his regular quips. Continue reading…

Ally Clow’s January 2012 Film Round-up

“And here’s your starter for 2012, I need your answer before the gongs”

January is usually a golden month for movies yet equally forgotten too. For the critic, January’s Oscar films have been seen at festivals and any December releases that stretch over to January have been reviewed in the previous year. Their end of year lists rarely includes January films for this reason: those films have been included in the previous year’s ‘best of’ lists. For the public, it’s a catch-up month, watching those Oscar films that have been hyped over the previous twelve months and desperately watching the films on others’ best of lists from the previous year they didn’t have the time to watch. Continue reading…


Moments after the closing titles of ‘Snowtown’ finish, the lead actor Daniel Henshall walks to the front of the stage and knowingly turns back to an audience who are sitting back in their seats, having watched him play a terrorising serial killer for the best part of two-hours; he is at the Curzon Soho for a Q&A, the day ‘Snowtown’ open across the UK. He grins, and in his Australian accent, asks everyone if they are alright.

Not everyone who was at the screening that evening will have seen the dark humour in that smile. One member of the audience had already left, walking out after the most brutal scene in the film, when the nature of Henshall’s sadistic character, John Bunting, truly comes to the fore, torturing a character who the audience has no regard for, clearly for his own pleasure.

Continue reading…

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