Amidst the snappy dialogue, quick one-liners, sometimes silly set-pieces, human interest plot lines, a theme of internal conspiracy and the occasional awful incidental music, The Newsroom is a welcome programme of substance.
It tackles issues head on, with real news stories, actual footage and, in a refreshing alternative from attempts to satire politics, hard facts and polemic. The early concerns it could be preachy are put to the side when events take over, with stories from the BP oil spill to the shooting of Gabrielle Giffords becoming the real drama.
By the time The Newsroom gets in its stride, the seventh episode, 5/1, has echoes of the greatness of The West Wing, with a superb combination of characters stranded on a grounded plane while the emotion of the breaking news story, the successful mission to find Bin Laden, takes over everywhere.
As the ten episodes progress there is less of the annoying incidental music that assumes its audience as stupid, just as the show the programme is centred on, News Night, matures to treat its views with more respect. And it is the discourse within The Newsroom, from why one courtroom trial is prime time TV ahead of not only a major global economic crisis, but cases that could be exactly the same if not for the way the media, with an agenda, want to present the case, that lets the viewer listen in on intelligent and weighty conversations. Continue reading…