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Football Ticket Prices & Empty Seats

England empty seats at Wembley Stadium

Football analysis can become awash with meaningless stats. Players can play great balls into dangerous areas or even clever reverse passes, but if players aren’t making the right runs, to a one-dimensional blogger it’s a misplaced pass. Likewise, a player’s movement and runs could be constantly causing problems to the opposition, taking players away that creates space for others, yet the I-pad coach is more concerned with touches on the ball, which in turn leads to bad decisions, that only the statto that can’t see the bigger picture defends. Andre Villas-Boas’ withdrawal of Aaron Lennon at home to Manchester United last season, Spurs’ most dangerous player on the day, is a case in point. Much more significant football stats were released this week though, with the BBC’s Price of Football Study. Continue reading…

Gone Girl

Gone Girl

Some have said Gone Girl is the story of modern marriage; others, fairly, note feature films including Play Misty for Me, Basic Instinct and Fatal Attraction have undertones of misogyny which don’t represent society and wonder if Gone Girl is cut from the same cloth. But it is neither.

In the second Moviedrome Guide that accompanies his introduction to Play Misty for Me in the sixth TV series from 1993, Alex Cox wrote about the above the tendency of those films: Continue reading…

Political Books Autumn 2014

Mark Perryman reviews the political books taking us into autumn 2014.

Unspeakable Things jacket

This autumn has been dominated already by two lots of morbid symptoms. The unseemly sight of Labour Unionism cosying up to the Tories, Lib-Dems, the financial and media establishment in defence of the ancien regime. Accompanied by UKiP’s spectacular and seemingly irresistible rise, now fracturing the Tory Right’s vote more effectively than ever, the protest vote that just won’t go away.

What possible cause for any optimism then? Because outside of the parliamentary parties’ mainstream there is a revived freshness of ideas. Two writers in particular serve to symbolise such brightness of purpose. Laurie Penny’s Unspeakable Things is the latest collection of her writing. The spiky subversiveness of Laurie’s journalism best summed up by her book’s sub-title ‘ sex, lies and revolution’. This is feminism with no apologies given, no compromises surrendered and a sharp-edged radicalism all the better for both. The Establishment by Owen Jones is every bit as much a reason for igniting readers’ optimism but also the cause of a quandary. Owen is an unrepentant Bennite, a body of ideas and activists with next to no influence in Ed Miliband’s Labour. The organised Left outside of Labour in England at any rate, borders on the non-existent. Owen is described on the book’s cover by Russell Brand no less as ‘ Our generation’s Orwell’, a bold yet fitting accolade. Yet Owen’s writing aims, like Laurie’s, at something beyond being simply a critical media voice. Quite how, is the quandary for both. Continue reading…

Camus, Clough & Counter Culture

Camus, Clough & Counter Culture

The independent football fan in the UK first began to have a voice and a community in the mid-eighties with the emergence of club football fanzines, following in the tradition of music DIY fan publications. The fanzine was an outlet of thought for the masses that were then the life blood of clubs, but were rarely heard other than for 90 minutes on the terraces.  Fanzines brought together the solidarity of the cause of following a club (usually through thin and thinner), humour and popular culture. Continue reading…

Magic in the Moonlight

magic-in-the-moonlight-movie-Emma Stone poster

Magic in the Moonlight, the latest in Woody Allen’s prolific output, goes back to the idea of a psychic making a living/killing from those looking for a meaning in life, a topic he last examined in You Will Meet A Tall, Dark Stranger. This time the rational voice comes from Colin Firth’s otherwise misanthropic lead character who reminds us early on that the only certainty in life is a visitor in a black robe, words Allen surely wrote himself despite the known license he gives actors to ad-lib in character. Continue reading…



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